A mudslide caused by heavy rain and forest clearance almost sweeps away the cabin at the foot of the wooded slope. But this is not the only upheaval in Nikitas’s life. Shortly after the landslide, a man on an off-road motorbike es racing through the forest and stops in front of Nikitas’s cottage. For the first time in twenty years, Nikitas’s son Johnny stands before him, demanding the inheritance that was left to him in his mother’s will, namely, fifty percent of the land on which the reclusive Nikitas is now living. At first, Nikitas ignores his son. But there is also a pany that is after the land; called simply “the monster” by the villagers, the firm wants to build a road here. To prevent the muddy ground from being pulled from under their feet, father and son have to dig deep into it. Together.Director Georgis Grigorakis sets his rain-drenched woodland Western against a majestic backdrop and finds robust yet tender images to tell this tale of rapprochement between two men. A story of resistance more powerful than the strongest excavator.
可是，从脚本设定逻辑来看，Selina在影片前半段的行动念头也让人感觉扯淡，且不说在一个完全漫画化的世界里猫女有那样的诉求是不是需要，就算在一个完全实际化的世界设定中，Selina也能够有没有数方式往到达目标N多实际题材的片子主人公们可以告知她若何做而没需要是以做出片中那种选择。 
许是由于女性所具有的细腻又温情的特点，黎巴嫩美男导演纳迪拉巴基在她自导自演的影片中，常常以一种暖和柔曼的基调来表述人物的各类遭受及感情变故，即使情感再激荡再愤激，也没有让情感波动到横冲直撞不成整理的地步，在不急不徐间，却已将不雅众引领进正历经着不幸的女性的糊口和心灵，一如她07年的作品《焦糖》，全片温润而天然，于柔和甜蜜中又带着点苦涩的滋味，彷如糊口的原味。 
范德贝克已经抵达德国，以接受法兰克福的体检，自从以4000万英镑转会费从阿贾克斯加盟曼联以来，三年半的时间里他只在英超首发6次。 
在剧中，沙扎曼是蓝怪的哥哥，邓娅的丈夫 
